My current audiobook is Ernst Jünger’s Storm of Steel. An episodic and rambling work, it puts the advances, retreats, the periods of R&R, death, mayhem, narrow escapes from randomly landing shells, friendly encounters with comrades, enemies and civilians, hostile engagements, and all the emotional circumstances of war on roughly the same narrative footing. The emotion can be profound, such as when Jünger learns that his brother has been wounded and looks to his care, but I have yet to hear any sustained higher level reflection or soul searching. The one time the cause and significance of the war is raised — by a civilian couple during a meal in their house in Cambrais — it serves as nothing more than an introduction to some of the local humor. It is as if Jünger wants to show us that his avoidance of the topic is deliberate.
This overall character of Storm of Steel commonly draws comparison with that All Quiet on the Western Front, which weaves a clearly anti-war narrative out of similar material. Some (on the Left, it is said) go so far as to call Storm of Steel a glorification of war, but I don’t really see how. Perhaps Jünger’s lack of coherence and overview is emblematic of the war itself, marked as it was by the blinkered vision from the trenches and the constant play of chance. Or perhaps Jünger’s aim is to simply gather facts from his war diaries much as he had collected beetles during his free time in the trenches, to present them to us, as it were, like a detached entymology of war, its specimens long having ceased to wriggle, letting us make of it what we will.
This last possibility is in a way similar to one my reader Eliah made in response to my entry on Big Red Son, David Foster Wallace’s report of his visit to the AVN awards in Las Vegas. Perhaps, Eliah speculates, Wallace avoids mention of his own moral evaluation in order to "march scenes and facts past the reader which make moral reflection unavoidable". Now to my thinking, this might not be possible. Specifically, any close description of porn is itself an act of porn. It peddles in the same prurient fascination as its subject, obscuring objectivity. And so it is different than, say, a weather report: the description of a hailstorm does not itself pelt the reader with ice.
If there is a valid Left-leaning reaction to Jünger, I imagine it would have to be along these lines: does a story of lost limbs and lives that withholds moral evaluation, e.g. outrage, disgust, etc., not ipso facto promote that sort of barbarism? I am tempted to say: only to the extent that such a description tends to excite interest doing the same. But why assume that throwing in that evaluation helps matters? As it was recently put in the Los Angeles Review of Books:
This overall character of Storm of Steel commonly draws comparison with that All Quiet on the Western Front, which weaves a clearly anti-war narrative out of similar material. Some (on the Left, it is said) go so far as to call Storm of Steel a glorification of war, but I don’t really see how. Perhaps Jünger’s lack of coherence and overview is emblematic of the war itself, marked as it was by the blinkered vision from the trenches and the constant play of chance. Or perhaps Jünger’s aim is to simply gather facts from his war diaries much as he had collected beetles during his free time in the trenches, to present them to us, as it were, like a detached entymology of war, its specimens long having ceased to wriggle, letting us make of it what we will.
This last possibility is in a way similar to one my reader Eliah made in response to my entry on Big Red Son, David Foster Wallace’s report of his visit to the AVN awards in Las Vegas. Perhaps, Eliah speculates, Wallace avoids mention of his own moral evaluation in order to "march scenes and facts past the reader which make moral reflection unavoidable". Now to my thinking, this might not be possible. Specifically, any close description of porn is itself an act of porn. It peddles in the same prurient fascination as its subject, obscuring objectivity. And so it is different than, say, a weather report: the description of a hailstorm does not itself pelt the reader with ice.
If there is a valid Left-leaning reaction to Jünger, I imagine it would have to be along these lines: does a story of lost limbs and lives that withholds moral evaluation, e.g. outrage, disgust, etc., not ipso facto promote that sort of barbarism? I am tempted to say: only to the extent that such a description tends to excite interest doing the same. But why assume that throwing in that evaluation helps matters? As it was recently put in the Los Angeles Review of Books:
The reader of these [Remarque, Sassoon, etc.] might also reflect on whether the cause of peace today is best served by recycling myths about war. For one thing seems clear: cloaking the Great War in a mystique of incomprehensible horror has not made war any less likely, or any more humane. Like all such auras, the anti-war myth may even exercise a dark fascination. As François Truffaut is supposed to have said, there is no such thing as an anti-war film, since the action of warfare, however barbarous, cannot fail to excite.
from Rest in Peace: World War I and Living Memory
However, of more interest to me in listening to Jünger is his depiction of martial virtue: first of all, that amidst all the random shelling it should have a chance to show itself at all. And then that it propagates as it does, most powerfully from the commander down, who inspires courage in his troops through his own actions and example.
This makes me reconsider the nature of martial virtue and its relation to virtue in general. Our modern concept of virtue reaches back to the Greek arete, which in Homeric times specifically described excellence in war, ares (hence “arete"). This is perplexing, considering what all has come to fall under the category of “virtue” since then. As early as Aristotle, virtue included not only courage, but temperance, wit, humility, generosity, practical understanding and contemplation. Today what virtues there are, if they are recognized as such, have even displaced martial virtue, effecting a complete mutation of the term. For the pacifist-minded, excellence in battle translates to carnage and perhaps even the perpetuation of battle and thus more carnage. On this understanding, virtues like coolheadedness and diplomacy are the antithesis, even antidote, to Homer’s arete.
But listening to Jünger I have come to wonder whether there is a common thread running through virtue in its original and later senses. Granted, it would be naive to assume there to be an essence lurking behind every polysemous term. But it would be similarly naive to assume there isn't. So I suggest the following: virtue is the willingness to put something other than the self first. For Jünger, this “something other” is most immediately the comrades whose fate lies in his own hands: when he puts them first, risking life and limb, he does so in the most credible possible way. Jünger clearly cares about his platoon in a way that would be difficult to ascribe to self-interest. And he knows when he's been outdone in this regard:
This makes me reconsider the nature of martial virtue and its relation to virtue in general. Our modern concept of virtue reaches back to the Greek arete, which in Homeric times specifically described excellence in war, ares (hence “arete"). This is perplexing, considering what all has come to fall under the category of “virtue” since then. As early as Aristotle, virtue included not only courage, but temperance, wit, humility, generosity, practical understanding and contemplation. Today what virtues there are, if they are recognized as such, have even displaced martial virtue, effecting a complete mutation of the term. For the pacifist-minded, excellence in battle translates to carnage and perhaps even the perpetuation of battle and thus more carnage. On this understanding, virtues like coolheadedness and diplomacy are the antithesis, even antidote, to Homer’s arete.
But listening to Jünger I have come to wonder whether there is a common thread running through virtue in its original and later senses. Granted, it would be naive to assume there to be an essence lurking behind every polysemous term. But it would be similarly naive to assume there isn't. So I suggest the following: virtue is the willingness to put something other than the self first. For Jünger, this “something other” is most immediately the comrades whose fate lies in his own hands: when he puts them first, risking life and limb, he does so in the most credible possible way. Jünger clearly cares about his platoon in a way that would be difficult to ascribe to self-interest. And he knows when he's been outdone in this regard:
Every time afterwards that I heard prejudice and depreciation on the lips of the mob I thought of these men who saw it out to the bitter end with so little parade and so fine an ardor. But after all what is the
mob? It sees in everything nothing but the reflection of its own manners. It is quite clear to me that these men were our best. However cleverly people may talk and write, there is nothing to set against
self-sacrifice that is not pale, insipid and miserable.
Storm of Steel, chapter 19
That the self-sacrifice of the above mentioned men has nothing to do with the love of violence for its own sake is clear in what Jünger says when English sharpshooters start picking off German stretcher-bearers:
Weak natures are prone to the atavistic impulse to destroy. And it takes hold of the trench fighter in his desolate existence when anyone appears above ground. I have felt it myself only too often.
ibid
Now if this is the underlying attitude that that makes warlike man virtuous, then perhaps we have the master key to virtue. Substitute, in place of comrades, the family, the community, the ideal, knowledge, God. On this approach, we might resolve the vexing question of the two halves of the Nichomachean Ethics, why Aristotle's sustained treatment of social virtues should morph into a call to contemplation.
C.S. Lewis made a similar observation in Mere Christianity:
C.S. Lewis made a similar observation in Mere Christianity:
Think of a country where people were admired for running away in battle, or where a man felt proud of double-crossing all the people who had been kindest to him. You might just as well try to imagine a country where two and two made five. Men have differed as regards to what people you ought to be unselfish to—whether it was only your own family, or your fellow countrymen, or everyone. But they have always agreed that you ought not to put yourself first.
It also might guide us in re-evaluating the findings, or "findings", of anthropologists like Margaret Mead who deny universals in morality. Observed differences of moral codes between cultures certainly should prompt us to question the nature of morality, but not necessarily to dismiss hope of deeper reconciliation. After all, if what Richard McKirahan says in Philosophy Before Socrates is right, it was precisely the Milesian's exposure to the profound variety of cultures around the Mediterranean, the Black Sea, and the farther East, combined with a rationally tempered understanding of law, that led Thales, Anaximander and Anaxamines to get the ball rolling--which process ultimately led to the moral objectivity of later philosophers of Athens, a city which was no stranger to the ethical variety of the wider world, either.
Naturally, you wouldn't have to find, or "find", any deeper harmony between moral systems to defend moral objectivity. To say that the observed lack of moral consensus suggests we shouldn't try for one is plain fallacious, even self-defeating. But it certainly would be tidier if we could show that the underlying drive to morality is holds cross-culturally, whatever the variety in its regional expression.
After that, it would only remain for us to expose the hollowness of the "selfish gene" argument in matters of human deliberation. And I don't expect that would be too difficult...
Naturally, you wouldn't have to find, or "find", any deeper harmony between moral systems to defend moral objectivity. To say that the observed lack of moral consensus suggests we shouldn't try for one is plain fallacious, even self-defeating. But it certainly would be tidier if we could show that the underlying drive to morality is holds cross-culturally, whatever the variety in its regional expression.
After that, it would only remain for us to expose the hollowness of the "selfish gene" argument in matters of human deliberation. And I don't expect that would be too difficult...